Star Cast: Amitabh Bachchan, Ayushmann Khurrana, Vijay Raaz, Brijendra Kala, Srishti Shrivastava
Director: Shoojit Sircar
Juhi Chaturvedi pens a world restrained to a few careworn souls whose lives revolve round one single haveli. Their single motto is to be profited due to the reality they’re someplace linked to the haveli. It’s a novel concept alternatively someplace whilst penning the suited script, Juhi misses her trademarked spark. Her writing is splendidly backed by potential of Mansi Dhruv Mehta’s manufacturing plan (majorly truly the haveli).
I recognize pressured humour could’ve killed the idea of the script, alternatively preserving it dry for a very lengthy time doesn’t assist either. There are many such scenes which come and go leaving you to assume about why it used to be as soon as barring a humorous line/incident. I apprehend it’s cliched and won’t at all suit the theme of the film, on the other hand I preferred the banter between Mirza and Baankey to be extra on the traces of Kader Khan & Govinda.
Gulabo Sitabo Movie Review: Star Performance
Amitabh Bachchan’s Mirza is a very difficult persona to painting at greater than one levels. First, he receives into the bodily structure of the character and no longer for a 2nd makes it appear like a caricature. Second, he adapts the bizarre accent and makes certain that each and every talk is heard crystal clear. Mr Bachchan does the total lot besides problem and when you’re being labelled as one of the fantastic actors of all time, there are performances such as these backing that claim.
This would’ve been a enormously one-sided match if no longer for Ayushmann Khurrana. It’s in actuality a aggregate of Juhi Chaturvedi’s pen and Ayushmann’s impeccable brain to act, then again he manages to delve if now not surpass the stark shadow created via Bachchan. The babbling accent works amazingly well with the persona and moreover helps to supply a nice persona to his lines.
Vijay Raaz is criminally underused! You don’t stable Vijay Raaz to make him underplay his character. He deserved greater traces and a higher role. You honestly can’t be counted on from him to come on display display screen and now now not say something funny. Brijendra Kala, too, is on comparable strains when it comes to getting appropriate lines. He tries to add his ordinary quirks in between the dialogues, some work, some don’t. Srishti Shrivastava emerges as the surprise-takeaway for me. Her herbal presence affords charge to the scenes she’s in. One of the great finds in modern-day times.
Gulabo Sitabo Movie Review: Direction, Music
When any one as Shoojit Sircar, whose filmography is stuffed with gem stones like Vicky Donor, Piku, Pink, Madras Cafe, comes up with a film, you don’t be given some component plenty much less than brilliant. With the title of Shoojit, comes the burden of making heavy-on-emotions laced with light-hearted humour. Gulabo Sitabo advertises an fascinating story on the other hand misses the mark of being a Shoojit Sircar film. The laid-back shape of direction goes well with the air of secrecy created on the other hand the wish of desiring increased from the story/writing hovers over it throughout.